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The Rosewood Sofa

Published by Jaden Magazine, Issue 03

THE ROSEWOOD SOFA

“Whoa, Kayo,  how did you get so fat?” Ama asked in her dramatic, judgemental tone.

This was how Ama, my paternal grandmother, greeted me during my yearly Chinese New Year pilgrimage to Taichung, Taiwan. Although I hadn’t seen her for a whole year, she never seemed to have anything nice to say to me—the only grandchild of hers who regularly visited her during the holidays. I wanted to shrug off her harsh words, but I couldn’t. She had always made me painfully self-conscious about my body. I stormed off.

“What’s she so angry about?” Ama asked, knowing I was still within earshot.

When she was still able to walk, she used to meet my parents and me in the dining area of her house when we arrived from Taipei. In the center of the dining room was a large rosewood round table with eight matching chairs. Along the walls, Ama had a collection of stone paintings depicting classic Chinese motifs – birds, deer, and flowers made of jade and coral. But in the corners of the room, Ama stored stacks of stock market magazines dating back to the 80s, next to layers of flattened shopping bags from famous bakeries and department stores in Japan, along with folded paper bags made of old magazines, used for discarding pumpkin shells, a popular teatime snack in Taiwan. The clash of luxury and hoarding never ceased to amaze me.

If Marie Kondo, the Japanese organizing consultant and author, came to Ama’s house, she would say, “Keep only those things that speak to your heart. Then take the plunge and discard all the rest. By doing this, you can reset your life and embark on a new lifestyle.” In Tidying Up with Marie Kondo, a Netflix’s hit show, Kondo helps many cluttered and messy Americans organize their homes and make them happier. “Does it spark joy?” she often asks.

The truth is, Ama has little joy in her heart and no desire to change her lifestyle.

Ama hasn’t spark joy in my heart for a long time, but I couldn’t just dispose of her like old, unworn sweaters in my wardrobe. Baba, my father, justified his mother’s behavior as “the way of the older generation.” Apparently, her calling me fat was supposed to demonstrate her concern for me. She was trying to be nice, he said—but the way she expressed her sentiments didn’t make me feel nice.

 “Ama is very old, and she isn’t going to change.” Baba sighed, “She’s lonely. You should spend more time with her.”

When it comes to matters regarding Ama, I always obeyed Baba. As with any pilgrimage, I took my suffering in stride.

Bracing myself for the moment when she would say something mean, I sat next to her in the living room while she watched a Taiwanese soap opera. Ama’s living room, like her dining room, reflects her twin sensibilities of having the best of everything and never parting with any of it. Shortly before my family left Tokyo and moved in with her, she had renovated her house. Back then, it had brand new, top-of-the-line everything, but that was over thirty years ago. Now everything is dated, dusty and depressing.

Ama’s living room is also cluttered with junk and contains furniture made from polished, dense rosewood that glistens in the fluorescent light. With mother-of-pearl inlay in the shape of sparrows and cherry blossoms on the backs and the armrests, the furniture is grand—reminiscent of Qing Dynasty royalty. If I could find a more appropriate word for the three-seater ‘sofa,’ I would. Normally, I associate ‘sofa’ with something to relax on, something soft, padded with a cozy quilt on top to curl into. Not this one. Like Ama, the sofa felt like solid steel—unbending, unrelenting, and uncomfortable. Ama had placed thin Japanese-style cushions as a buffer between the sitter and the hardwood. These cushions are greenish brown—maybe at one point they were gold, but now they are the color of a half avocado a few days past its prime.

Throughout the living room, Ama displays her collection of artwork, statues of Chinese gods, and old photographs. Between faded bouquets of dried roses, mismatched candles, and other junky knickknacks, Ama hangs the family photographs. There is a professional studio portrait of me when I was about twenty-two. I am wearing a form-fitting red t-shirt and a striped knee-length skirt in pink, red and white. It cinches in a way that shows off my tiny waist. My long, shiny black hair is in a high pony, my smile wide and confident.

“See, you used to be so pretty,” Ama mocked me as she pointed to the photograph. “How did you ever get so fat?”

I shrank deeper into my uncomfortable seat.

There is also a family portrait of all of Ama’s children and grandchildren, taken when I was about eight. Ama, all smiles, sits next to my grandfather, Agon, in the front row. He was an obstetrician and an aspiring artist, who had collected many of the paintings in Ama’s house. The picture captures a time when my relationship with Ama was easier. When my family and I moved in with her, she lived on the third floor of the house, and we lived on the fourth. On weekends, my younger brother Davis and I used to have sleepovers with her. She would gently clean our ears with a Q-tip until we fell asleep. The next day, she would take us to a 7-11 for a Slurpee and a hotdog, which were rare treats. During the week, I hollered at her door to say hi before I went to school.  She always handed me a few coins to buy candies—I had the best treats in my class. On the days when Mama yelled at me for misbehaving, I’d go running to Ama.

“Your mama is so mean,” Ama said, standing between Mama and me. There was nothing Mama could do when I used Ama as a shield. As a child, I noticed that Mama and Ama had an uneasy relationship. I exploited it to my advantage.

Ama was my favorite person for a long time, until we moved to Vancouver when I was 10 years old.

Two summers later, my perception of Ama changed forever. I was 12 when Baba introduced Davis and me to our ‘cousins’ visiting from California, Frankie, Tommy, and Michael. Baba said they were children of his brother, my Uncle Steven. We hit it off right away. Baba took all of us around the tourist attractions in Vancouver, like the aquarium and the suspension bridge. We went to Stanley Park, and Baba bought us ice cream cones. We had a great day.

Despite the fun, I harbored a nagging question: If they are our cousins, why didn’t we meet them sooner? I decided to talk with Tommy, also 12. We established that we had the same last name, Chang. When we started to share our memories of Agonand Ama, I realized that we call different women ‘Ama.’

How could this be? Even as a child, I knew my burning question pointed to something bigger than me. There was an air of taboo about it. Before the age of 12, I didn’t realize there was another branch of the Chang family. However, I always knew something was amiss. When we still lived in Taiwan, I wondered why Agon didn’t live with us. On Sundays, he would come by the house and take all of us—Ama, Baba, Mama, Davis and me out for lunch. We would spend the afternoon in a department store or a park. My favorite was when he took us to Baskin-Robbins. To this day, when I taste the tangy sweetness of Rainbow Sherbet, I think of Agon.

I have fond memories of those Sunday afternoons. But I noticed he never stayed for dinner, let alone spent the night with Ama. When I was about eight or nine, I asked Baba why Agon always left.

“Agon is a very busy doctor. He needs to go back to his clinic to see his patients,” Baba said, eyes downcast.

When I made my discovery at age 12, instead of confronting my parents, I talked to my Aunt Christine, who also happened to be visiting us from Taiwan. She is Mama’s brother’s wife, my favorite aunt, and an adult I trusted.

“Why do Tommy and I have different Amas?” I asked her in private.

“You are too observant and smart for your own good,” she said. “You are right. You and Tommy do have different Amas.”

She didn’t explain why we have different grandmothers, but I pieced together a partial story of the open secret: For most of her adult life, Ama was Agon’s mistress. They met at the Taichung Hospital where he was an accomplished obstetrician, and she was his young, pretty nurse. Despite the 13-year age gap, and the fact that he was already married with children, they fell in love.  Over the years, Ama bore him three children. Baba is the middle child—he has an older sister and a younger brother.

When Ama and Agon were young, it wasn’t uncommon for accomplished men to have mistresses. Though he couldn’t give her the legal status of a wife, Agon took care of Ama bygiving her stocks, jewelry, and property. Ama became a wealthy woman. In the upper society of  Taichung, people gossiped. Back then, Ama was known as a beautiful, cunning man-stealer.

 Despite her reputation, she raised her three children with the best of everything.  When Baba finished college, he moved to Japan for his master’s degree—where affluent Taiwanese people sent their children to be educated. There, he met Mama. Soon after, I was born in Tokyo. When I was six, we moved in with Ama in Taiwan. To prepare, she renovated her house, furnishing it with the best of everything—she bought many expensive things that sparked joy for her at the time, like the opulent rosewood furniture.

In many ways, Ama did well for herself—she had a house, money in the bank and three successful children. Though I have spotty knowledge of Ama’s upbringing, I know that as a baby she, along with a few of her older sisters, was left in Taiwan while her parents took the younger children and moved to Vietnam. A kind, childless widow, a friend of her parents, adopted Ama and raised her. It couldn’t have been easy for Ama to grow up knowing her parents had left her. I don’t know what kind of resources her adopted mother had, but it couldn’t have been easy for a single woman to raise a child. And I can’t help but wonder why Ama chose a married man over other eligible bachelors. She was pretty, educated, and clever—she probably had a lot of suitors. When Agon presented Ama with the prospect of a more comfortable life, she took it in order to better take care of her aging adopted mother—at least that was what I was told. Or maybe she was desperately in love. Either way, it must have been agony to be with a man and watch him leave for the arms of another woman. What did she tell herself to live this way? I think there was genuine love between Agon and Ama, but at the end of the day, Ama chose financial security over love. It’s something unthinkable for me as an educated 21st-century woman.

A couple of years after I unearthed the secret, Agon passed away. Shortly after, Baba moved to Taiwan for work, and Mama soon followed. They visited us regularly in Vancouver, but Davis and I hardly ever went to Taiwan. I only visited Ama once or twice through my teenage years. When I was a senior in high school, she came to visit us—the only time I saw her in Canada. When I was a sophomore in college, I flew to Taiwan when Baba told me that Ama was dying of colon cancer. The doctor snipped a big chunk of her intestines, and she survived. The following summer, I was told to visit again because she was dying of breast cancer. The doctor removed both her breasts, and she survived. She was one tough lady. While Ama was sick, Mama took care of her—cleaning her surgery wounds, bathing her, feeding her. In Mama’s eyes, it was her filial duty as a daughter-in-law to take care of her husband’s mother. She made no complaints, though Ama wasn’t always kind to her. 

It wasn’t until I finished graduate school and started working abroad as a librarian that I began to visit my parents and Ama regularly. By then, my relationship with Ama had been changed by years of neglect. I started to see a side of her I hadn’t when I was a child, and how unkindly she treated Mama. After Ama had recovered from her second cancer, and was well enough to eat with us during Chinese New Year Eve dinner, Ama always held her nose and grumbled about Mama’s cooking.

“How does she expect me to eat this overly salty fish?” she complained, while Mama sat next to her. “Does she want my cancer to return?” Mama never said anything at the table, but her face was distorted with anger.

 One year, I happened to be in Taiwan during Mother’s Day and we all went out for dinner.

“Your mother’s father didn’t like to study and he only became an anaesthesiologist,” Ama said to me while I sat with her in the backseat on the way to dinner, “unlike your Agon, who was a famous doctor.”

I didn’t reply and she continued her monologue, “Just because her family has money, doesn’t make him a good man.”

The dinner was ruined before we even started.

Around this time Ama started to be hostile towards me — I am my mother’s daughter, and I look like her. Calling me fat was her favorite insult, and it was effective in ruining whatever tender feelings I had towards her. If it weren’t for the fact that she was Baba’s mother, I would have had nothing to do with her. There were times I wish I could have used the Marie Kondo method on Ama—I wanted to abandon her. Not only did she not spark joy, she was hurting me. I resented having to visit her year after year, but I continued my pilgrimage. If Mama stuck around Ama after all the years of emotional abuse, surely I could too.

Lately, as I get older, I have begun to see Ama in a more humane light, and try to see the world from her point of view. Maybe she called me fat and complained about Mama’s efforts to take care of her because she had spent her youth vying for the attention of another woman’s husband. In that situation, I suppose I would have become bitter too. 

In more recent years, instead of suffering in silence, I have started to pipe up when she calls me fat.

“Ama, if you are so mean to me every time I see you,” I said with a forced smile, “I won’t come to visit you anymore.”

She pretended she didn’t hear me, and started to fuss about how much luggage we had brought.

The closest I’ve come to having an open conversation with Ama was years ago, when she still had her wits. I don’t remember what prompted her, but she brought out a box of old photographs, containing pictures dating back all the way to her childhood.

“My Mama and Baba.” Ama pointed to a black and white photograph of a couple. I don’t remember what they look like now, but I remember feeling a little connection with Ama—she was, after all, somebody’s daughter.

There were images of the young and beautiful Ama, smiling with other young women in nursing school—the Ama with whom Agon had fallen in love. I love the pictures of Baba and his siblings when they were young, dressed in fancy western-style clothing that must have cost an arm and a leg. Baba and his siblings look like any other happy children playing together. There were pictures of me, Davis and our cousins as babies—her grandchildren. All of her memories were inside that box. She didn’t speak much as she shared its contents, just who’s who. I was transfixed. Touching the fading yellow-hued photographs, I didn’t ask any questions. I wish I had.

The photos were a contrast to the rosewood sofa of the latter part of Ama’s life, captured in endless awkward family portraits taken over the years. Each year now, after Chinese New Year Eve dinner, Ama, Mama, Baba, my Uncle and Aunt gather to share pleasantries and force a smile for another portrait, under the gaze of our younger selves, forever frozen in time. I have a loving relationship with my parents and younger brother, but Baba never shared a close bond with his siblings and neither of them took care of their mother. Except for the fact that they look like each other, there is little evidence that they are related —just forced smiles and visible distance.  The Changs are an extended family by blood, yet our relations are as rigid and uncomfortable as the very sofa on which we sit.

Time has been unkind to Ama. From a strong-willed matriarch, she has been reduced to a feeble 90-year-old woman who can no longer take care of herself. Her body has shrunk and confined to a wheelchair. She has lost all her teeth and has trouble eating. Her razor-sharp tongue has dulled. She hasn’t called me fat for a couple of years now. I do my best to see her through a lens of compassion. Part of me feels sorry for her. After all, if she hadn’t done what she did, I wouldn’t exist.

Now, instead of greeting us in the dining area of the third floor when we arrive in Taichung, she lies in bed. Last year, I went to see her at her bedside and held her weathered but soft, cool hand. When I turned her hand around to look at her thumb, it was like seeing my own. She is family, I know. I wish I could put aside my childish resentment and ask her: Why did she choose to be with Agon? Does she regret her choices? If she could do it all over again, would she choose differently? I have no idea if my questions would upset her. I don’t know if my shame—for her and for myself for wanting to know—should even be vocalized. Maybe next year I will work up the courage to ask Ama for her stories—but I probably won’t. I can only try to be at peace with what little I know.

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The Abortion Conundrum: Murder or Women’s Right to Choose–A Review of Leni Zumas’s Red Clocks

Red Clocks (2019) by Leni Zumas

Ladies, can you imagine standing trial for medical malpractice because you helped out another woman? Perhaps you may have taken a niece to the pharmacy to purchase topical cream for a yeast infection. Or, you might have given your friend some Advils for period cramps. To be potentially prosecuted for helping to ease the discomfort and pain of another woman may seem absurd to you, but in Leni Zumas’s new novel, Red Clock, this scenario has become the new normal.

Red Clocks takes place in the fictional town of Newville, Oregon, in the not-so-distant future. Zumas, in her poetic language, tells the stories of four women in a society in which the lawmakers overturned Roe v. Wade and fetus gained equal rights as full-fledged humans. In this world, abortion is illegal in all 50 states, and IVF has also been banned because the unborn fetus cannot give consent to being born. Additionally, under the “Every child needs two” act, a single parent can no longer adopt a child.

The laws affect the four women in the novel in different ways. Ro/The Biographer is a history teacher who desperately wants a child but could not conceive, Mattie/The Daughter is a promising high school student who is seeking an abortion. Gin/The Mender is a mysterious woman who lives in the forest and provides alternative health care with her knowledge of herbs and roots. Susan/ The Wife is an unhappy housewife and mother who desperately wants to flee. All their stories interconnect to paint a devastating picture of womanhood in a world where women have no reproductive rights and the rights to their bodies.

When I was younger, I enjoyed dystopian novels like Aldous Huxley’s Brave New World (1932) and John Wyndham’s The Day of the Triffids (1951). To me, these books describe scenarios that could happen in a technologically advanced but ambiguous future or some imagined post-apocalyptic world that would never be realized. My favourite books are more metaphoric than literal, a way to illustrate the consequences of unchecked power or greed. Either way, the scenarios described in these books are relatable in a far-stretched kind of way and comfortably removed from my reality. They are more like tell-tale signs of the demise of humanity if we as a species aren’t more careful. Red Clocks, on the other hand, is not so removed from our reality–it is grounded in the United States of America in the year 2019.

This novel is poignant in a time when lawmakers are making strides in abolishing abortion rights across multiple states. There are clashes between those who identify as pro-life and those who are pro-choice. Neither side will listen to each the other because abortion, more than anything, is a moral question. Is it an act of murdering an unborn child, or a choice a woman could make for her body and her family? The answer to this question depends on what one might think is a human, or rather, when a group of cells becomes a human. Some people believe that it happens right at conception, while others at the time when the fetus exits the woman’s womb. Then there are the people in between who think a group of cells become a human at some undetermined point between conception and birth. No matter how you slice it, the abortion question is a conundrum: It’s a battle between life and choice. Whose belief should rule the court of law?

There are people who argue that killing an unborn life is unnecessary when the child can be given up for adoption or cared for within the community. It is true that there are women who ended up finding good homes for their unplanned babies. Others may come from supportive communities with resources to take care of them and their babies. However, for many, especially those from less privileged backgrounds, many of whom are women of colour from a lower socio-economic class, this is not an option for them. Yes, carrying a baby full-term is an option for many women, but it is also the least beneficial option for many more. Banning the right to abortion effectively become a punishment for women: for their promiscuity, or their lack of education or for their ethnicity or social economic class.

Recently, over the phone, my mother shared a piece of news about one of our pregnant family members. Her pregnancy seemed normal until she went for an ultrasound during a routine check-up. Afterward, her physician informed her the fetus appeared swollen and give her the diagnosis of hydrops fetalis. According to MedlinePlus, hydrops fetalis “occurs when abnormal amounts of fluid build up in two or more body areas of a fetus or newborn.” It is a symptom of underlying problems, and the survival rate of the fetus is low. According to Healthline, “Only about 20 percent of babies diagnosed with hydrops fetalis before birth will survive to delivery, and of those babies, only half will survive after delivery.” With these facts in hand, my relative made the painful choice to end her pregnancy at 16 weeks.

Though my heart broke for my relative who ended her pregnancy for the health of herself and her family, I am more thankful that she has the ability to make that call. I am a firm believer that abortion should be an option, regardless of one’s idea about human-ness and at what stage a fetus is considered a person with rights. At the end of the day, I want to live in a society with fewer moral judgments where we have the space to have our beliefs. I want all of us to be free to make choices that may be contrary to the beliefs of others. Most of all, I want to live in a more compassionate world where we have dialogues, rather than tearing each other down to prove that one’s belief is more superior. My question is, how do we get there?

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Charlotte Walsh Likes to Win: The Story of a Strong Women in the Trump Era

Charlotte Walsh Likes to Win by Jo Piazza.

Charlotte Walsh Likes To Win by Jo Piazza is particularly poignant in the age of Trump and the #MeToo Movement. It’s a story of Charlotte Walsh, an ambitious and capable woman, and her quest to achieve her agenda: to run for Senate while maintaining her marriage and raising her children. It asks an important question that’s on the back of our minds when we see someone like Charlotte, or in real life, Hilary Clinton running for political office, “Do men want ambitious women in their lives as their partners and their government representative?”

Charlotte Walsh was a COO of Humanity, one of the fastest growing companies in the world. She implemented a progressive family planning package, allowing employees the flexibility of having and raising children. Furthermore, Charlotte also had an aspiration to serve the public as a Senator. She believed “that politicians were failing Americans. Corporations were failing Americans. She hated the hate she saw every time she read the news. She felt terror and anger when she scrolled through Twitter. Americans were at each other’s throats and it was disgusting. She was scared to death of raising her daughter in this country.” Her reasons to run for office echo what many of us are thinking as we witness mass shootings, police brutality, and racist, inflammatory rhetoric on a daily basis.

Charlotte took a leave from her lucrative career in Silicon Valley. She moved back to her hometown in rural Pennsylvania along with her husband Max, their three young daughters, and her trusty and feisty assistant Leila. She hired Josh Pratt, a brash albeit competent campaign manager to ensure her victory.

Throughout the campaign, she worked insane hours and lost all sense of privacy. Her Trump-like opponent, Ted Slaughter, threw misogynistic insults from all directions in trying to sway the election. Instead of paying attention to Charlotte’s campaign speech, the media was more captivated by the shoes she was wearing. Instead of paying attention to issues she had brought forth, her personal life, the ugly mistake she had buried from the past was threatening to resurface, potentially obliterating everything she had worked for: her campaign, her marriage, and her perfect life.

Charlotte Walsh Likes to Win is an engaging and gripping read. Piazza’s prose is accessible and witty. The characters, though flawed, are likable. As a reader, I couldn’t help but cheer for Charlotte, though she had made some unforgivable decisions that impacted the lives of many.  I love the scrappy and loyal Leila, who also committed a betrayal during the campaign that almost cost her relationship with Charlotte, who was her mentor and best friend.

One of the elements I enjoyed the most about the book is how accurate Piazza depicted how our society treats powerful women. Josh, the campaign manager, played the role of preparing Charlotte for the brutal campaign ahead of her. In doing so, he represented the voice of men who fear powerful women:

“You can be a strong female candidate, but not a feminist candidate. There’s a difference. The subtle path is the surer one. It’s all in the nuance. And the hair… Thank God you didn’t chop off your hair when you had kids.”

Powerful women are often accused of emasculating men. They are often put in a position where they have to choose between a happy marriage and a successful career. Early on in the book, Josh commented on the power dynamic between Charlotte and her husband Max, who also worked at Humanity:

“I’ll bet that was though on Max, having his wife as a boss, the big dog at one of the most powerful companies in the world.”

Her reply to Josh: “My husband is a very evolved man, not a dinosaur.”

Charlotte’s statement was telling, especially for the final chapter of the book. What would Max do, in the midst of Charlotte’s quest to the Senate while their marriage and lives are under scrutiny?

For many millennial women, we have been raised with the idea that as girls, we can do anything we wanted, as long as we work hard for it. However, there is a definite gap between what our mothers taught us and the reality in the technology-obsessed, consumer-driven, and still-patriarchal 21st century. It saddens me, that despite all that women had fought for in the last hundred years, from women’s suffrage to sexual liberation to the #MeToo movement, many of us still believe: “only let the world see half of your ambition. Half of the world can’t handle seeing it at all.”

 

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Heating & Cooling: A Delicious Bite-size Memoir

 

Heating & Cooling: 52 Micro-Memoirs by Beth Ann Fennelly.

Beth Ann Fennelly’s Heating & Cooling: 52 Micro-Memoirs is an absolute delight. They are delicious bite-sized stories, filled with the wisdom and humor of Fennelly’s life as a wife, a mother, a daughter, a feminist, and a writer. The book deals with the whole spectrum of the human condition: joy, love, jealousy, loss. They read like flash fiction, except they are non-fiction pieces. Each piece is about a few pages to a few sentences long; there isn’t a single wasted word.

Some of my favorites pieces are short:

“Morning: bought a bag of frozen peas to numb my husband’s sore testicles after his vasectomy. Evening: added thawed peas to our carbonara.”

This little gem is number four of the “Married Love” series, and it gives the reader a snippet of Fennelly’s marriage and of course, cooking.

When I was watching 13 Reasons Why on Netflix, I’d cringe when the high school boys would call each other pussies. In “What I Think About When Someone Uses ‘Pussy’ as a Synonym for Weak,” Fennelly described the thoughts going through her head while giving birth to one of her children. She ended the piece with:

“The pain was such that I made peace with that. I did not fear death. Fear was an emotion, and pain had scalded away all emotions. I chose. In order to come back with the baby, I had to tear it out at the root. Understand, I did this without the aid of my hands.”

I wish every time a boy (or a man) call each other a “pussy”, he remembers that his mother tore him out of her body without using her hands. Pussies are strong and badass.

The book also deals with the challenges we all face, such as a quiet feud with a neighbor,  raising stubborn children, and the death of a loved one. I don’t want to say too much more about this book without giving it all away. All I can say is, when I finished reading the 52nd piece, I was sad. I wish there was a 53rd piece. Fennelly’s warm and humorous micro-memoirs are like little brain candies. I gobbled them up pretty fast. When you pick up your copy, I suggest you savor them while you can.

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My Year of Rest and Relaxation: A Vapid, Spoiled Brat Took Pills to Sleep for the Whole Year

 

My Year of Rest and Relaxation by Ottessa Moshfegh is one of my favorite books I’ve read this year. The premise of the book is pretty far-fetched— a thin, pretty, and rich young woman, our unnamed narrator, decided to check out from life for a year by sedating herself with an array of pills. This was made possible with the assistance of the world’s most unethical psychiatrist, Dr. Tuttle.  She was the impersonation of the pharmaceutical industry who touts that there is a pill for every illness and cure for every ail. If only life was that easy.

When not in a drug-induced sleep, our unnamed narrator watched movies on VHS, ate animals crackers while taking Ambien and Nembutal, and eventually drifting off into a deep somber on the couch. Instead of having her laundry picked up and dropped off like a civilized person, she opted to throw away her dirty underwear and orders tacky lingerie from Victoria’s Secret. The only time she left the house was to get coffee and cigarettes from the bodega at odd hours of the night. Meet our spoiled, vapid, and entitled narrator—who despite all that she had, went into “hibernation” in June 2000, when she was 24-years-old. At this time, she had been fired from her cushy job at an upscale art gallery for sleeping in the supply closet. Her on-again-off-again boyfriend Trevor treated her like a disposable piece of trash. Her only friend, Reva, was a whiney, insecure woman who was jealous of the narrator’s beauty, wealth, and her size 2 wardrobe.

This is the starting point of the book, and needless to say, none of the characters seemed likable. Yet, I couldn’t put down the book. In some ways, reading the book is like witnessing a trainwreck— it is horrifying, yet fascinating in a morbid way—how will this unnamed narrator destroy or redeem herself?

I’d like to be clear: the trainwreck metaphor only applies to the characters in the book. The book itself is flawlessly written— it is engaging and funny in a despondent way:

“You’re so needy,” I said. “Sounds frustrating.”

“And there’s Ken. I just can’t stand it. I rather kill myself than be all alone,” she said.

“At least you have options.”

In some ways, whether I like to admit it or not, I can relate to Reva, or even the narrator herself, living in a world consumed by vanity. As women, we are always told to strive for the size 2 body, the rewarding career, and give all that up when we meet the perfect man. When we don’t achieve what is expected of us, we are made to feel bad about it. Ironically, the unnamed narrator seemed to have it all, and instead of living it, she chose to sleep her life away. What does this say about ourselves and the values we hold dear?

This book took place in the year 2000, right before the boom of smartphones and around-the-clock tweets.  And yet, little has changed since then. Like 18 years ago, women are still subjected to ridiculous expectations, and we continue to allow men to treat us badly (in the book, the narrator’s boyfriend Trevor would come over to have sex with her like it was a favor for her, and Reva was involved with a middle-aged married man who just “loves” her on the side.) Many of us are still afraid to die alone and would do anything to avoid this fate. The #MeToo movement brought some awareness to women’s plight, but, has it achieved a lasting impact on how women view our worth?

Through My Year of Rest and Relaxation, Moshfegh is holding up a mirror for us to examine ourselves, in a tongue-in-cheek sort of way. It’s an intriguing and refreshing read, perfect summer book for the beach.

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Don’t Call Me Fat

“Oh, Kayo. You sure got fat!” Ama, my paternal grandmother, would cry out in Hokkien as soon as she saw me on the first day of the Chinese New Year.

Even though I wanted to shrug off her words, I couldn’t. Ama has always made me incredibly self-conscious about my body. Her shrill words hurt the most when I first moved to Hong Kong as a recently single 30-year-old woman. I convinced myself that she was right and that I was too fat and too unattractive to find a partner again.

I stormed off. “What’s she so angry about?” Ama would ponder loudly, knowing that I was still within earshot.

It is common for Asian women, especially the older ones, to feel that they have the right to comment on another woman’s body. I, However, never thought it was okay to be cruel. Ama‘s thoughtless remark always sours my mood upon my arrival, and I always dread spending time with her.

Baba, my father, would justify his mother’s behavior as “the way of the older generation.” Apparently, her calling me fat was supposed to demonstrate her concern for me. She was trying to be nice, he would say—but of course, the way she expressed her sentiments didn’t make me feel nice. I would protest, but Baba would sigh and say, “Ama is very old, and she isn’t going to change. She’s very lonely. You should spend more time with her.”

I often sat with Ama in the living room, which consists of a set of opulent redwood furniture. It is made of solid cherry wood with gorgeous mother-of-pearl inlay, and it is some of the most uncomfortable furniture I have ever encountered.  Many awkward family portraits were taken on the three-seater over the years.

I always feel fat and awkward visiting Ama during Chinese New Years. I swear that rosewood sofa makes me fat.

Next to the three-seater sofa is a bronze bust of a balding, stern looking man—my paternal grandfather, my Agon. He was an obstetrician and an aspiring artist, who collected many of the paintings that are in Ama‘s house. He and Ama had an affair for most of her adult life until he passed away.

Though I dread visiting her now, my relationship with Ama wasn’t always negative. When I was six, my family moved from Japan to Taiwan, and we lived in the same house as Ama. She lived on the third floor, and we lived on the fourth. On the weekends, my younger brother Davis and I used to have sleepovers with her, where she would gently clean our ears with a Q-tip until we fell asleep. The next day, she would take us out to 7-11 to get a Slurpee and a hotdog, which were rare treats. During the week, I would holler at her door and say hi to her before I went to school.  She always handed me a few coins to buy candies. Ama was my favorite person for a long time. Then we moved to Canada when I was ten, and I didn’t see Ama for most of my teenage years.

Since I was little, I knew that Mama had a challenging relationship with Ama. Little kids always have a way of picking up these things. Ama also often complained about my aunt and uncle’s spouses —it seems that Ama doesn’t care for anyone who isn’t related to her by blood.

After I finished graduate school and started working abroad, I would visit Taiwan regularly. During these visits, I began to see how poorly Ama treats Mama. For example, in the car on the way to a Mother’s Day dinner, Ama criticized Mama’s family —she made some insulting and unflattering remark about Mama’s father. I can’t remember exactly what she had said, but Mama was infuriated. This encounter ruined our Mother’s Day dinner.

When I was 21,  I wasn’t “fat.”

It was around this time Ama started to be hostile towards me —I am my mother’s daughter, and I look like her. Maybe the reason Ama torments others is that she’s been suffering her whole life. She spent her youth vying for the attention of another woman’s husband. I suppose I would become bitter and cruel had I been in that situation.

In the last decade, I’ve struggled every time I have to visit Ama. But I do it because it’s important to Baba, and I would do anything for him. However, instead of suffering in silence, I started to pipe up when she called me fat.

“Ama, if you are so mean to me every time I see you, I won’t come to visit you anymore.”

She pretended that she didn’t hear me.

In the recent years, Ama has slowed down, and her razor-sharp tongue is duller due to her age. She is now 90-years-old, and I do my best to see her through a compassionate lens. She is, after all, an old and lonely woman who spent her youth chasing after someone that didn’t belong to her. I know she has stories. I wish I could put aside my childish resentment and talk to her— but I haven’t been able to overcome it yet.